some objets d’art

I know, I know… I’ve been rather slack on posting project photos. This is partly because my work on Seascape is going rather slowly, and partly because I’ve taken up work on a rather large-scale mosaic project which I don’t wish to reveal until finished.

(Oh – I’ve also taken up practicing the piano – or in my case, the electric piano-style keyboard, which was until two weeks ago the largest and most expensive dust-collector in my apartment.

However, just to remind my faithful readers (and myself!) that this is primarily a crafts-based blog, here are some photos of the recent balcony work in the House of Brouhaha.

First up, a freeform mosaic (“freeform” meaning nothing is glued down, and so this work can change at a moment’s notice) featuring rocks I collected at the seashore in Inverness, Nova Scotia

Although you probably can’t tell from the photo, this is a water bowl. (Oh, and I should note, the table it’s on was rescued from the back of the apartment building last year but I finally got around to spraypainting it on Saturday). I got the idea from a mosaic book, although that water bowl featured tiles.

Actually, the use of the base bowl (which is a terra cotta thing that is meant to go underneath large planter pots – to this day I don’t know the name) is long overdue as there is a bit of a story behind its acquisition. I had read this idea about a Moroccan style “water bowl” with tiles more than two years ago, and of course needed to find the base right away. I searched up and down the garden centres close to me in Toronto but none of them sold this size (20″) in the clay version, only in plastic.
I had just about given up when JJ and I took a trip down to Kingston to visit my mother. We went for a day journey to Gananoque, about 20 minutes from Kingston, and found a very old-school hardware shop: here’s their blurb on line:

A Tradition in Gananoque, Since 1872
We at Donevan’s Hardware pride ourselves in being a 5th generation family owned and operated business for the past 135 years.
We are an old fashioned down to earth Hardware store. Typically customers come into our store for those hard to find items that no other stores carry.

Well, I am living proof of that statement, really I am. Why? Because I went into this wonderful shop (the type of shop I adore – all sorts of stuff jammed in) and asked if they had such a thing as a 20″ terra cotta dish. Well! I got taken up to the storage attic by one of the proprietors (who was 80 if she was a day) and got a tour of the storage while she looked for this dish, which she “just knew” was there. And so it was. And it cost… gasp!… $35! I had not wanted to spend more than $20 – but just could not refuse. She even insisted on calling up her (80 year old) husband from the cash to come and bring it down for me.

So, sale by sheer embarrassment. Having said that, do check out this shop if it’s still there. You won’t regret it – but just don’t ask for anything you don’t see on the shelf.

But, as ever, I digress.  Anyway, JJ got jealous of my water bowl and rocks so I let him have some of the rocks to put into his special fountain:

Having come across some rather decrepit candles in glasses, I then decided to try a wee experiment – salvaging and chopping up the wax from the dead candles, then putting them back in the pretty glasses with another candle in the middle:

I also put some sea glass in the one at the left as a little experiment.  I’ll let you know how it goes.  So far, so guid.

Oh, and I can’t help but show off another of my Nova Scotia acquisitions: a basalt tea light holder!

Huh?!?  Well, here’s what it looks like at the top:

So, all to say, our balcony is now all ship shape and ready for the party season… day or night!

Happy Tuesday!

Substance over Form

…or, how I learned to love knitting!

(apologies to regular readers if you have seen this before. I thought it was time for a blast from the past, and for some reason this had ended up back in draft form on the Blogger site. Sigh. I’m such a luddite. Anyway, it was written in May 2007.

WARNING: potentially dull biographical commentary ahead. You may just wish to skip this and look at the pretty colourful pictures below. This is my first endeavour at personal writing in a long time (I write loads and loads for work) and so I thought I’d post it here for posterity given that it is topic-specific).

When asked what I do for a living, one of my snap answers is that I practice law in order to support my yarn habit. I like to think that I’m shunning the “lawyer” label, that being a “lawyer” does not reflect my identify or my interests. In my less glib moments, I realise that this smacks of reverse pretention. And, in fact, I’m really just trying to avoid either attracting the bad rap (who, after all, likes lawyers?) or fielding the almost-always inevitable “Oh really? That’s interesting. I’ve been having a problem with my divorce, inheritance, criminal charge, etc. etc.”).

Or perhaps it’s just that, for some reason, I find the fact that I am a lawyer embarrassing.

However, in many ways my personality reflects the worst Type A hallmarks of all those lawyer jokes. I am picky, technical, argumentative, cynical – and detail oriented to a fault. I’m also (traditionally) not big on doing anything unless I can find some authority in writing first.

This trend has until recently shone through perhaps most obviously in my approach to knitting. Had I not become a lawyer, I could very probably have made a decent living knitting samples for patterns and yarn companies (or, for that matter, gauge swatches for those fellow knitters who detest this task). My work is very technically proficient. I have never had any problems with knitting to the gauge specified in any pattern, with any wool or yarn, and the finished size has always been perfect.

An example – and the only time before nine months ago that I had ever knitted anything without a written pattern. While I was articling, my boss one day came to work wearing a gorgeous handknit sweater which had been made in Ireland several years before. It featured a lovely “tree of life” covering almost the full front of the sweater. I coveted it. I wanted it desperately – well, I wanted to knit it. However, of course there was no pattern available. What to do?

I stewed over this for much of the morning, then had a brainflash – I asked her if I could borrow the sweater for a while. And then I trotted off to the photocopier, sweater in hand, and spent the next half hour trying to reproduce it. It took me 15 minutes to get an image of the tree of life that satisfied me, and then I started on the back, and then the sleeves. This, as you might imagine, provokes no little hilarity – and scepticism – amongst the coworkers.

They weren’t giggling, however, when I came in to work five days later wearing the twin sweater to the boss, who by great fortune had turned up wearing it again. The following photo is my version: unfortunately, the former boss’ version is long gone. You’ll just have to take my word for it!

I still work for the same organization today, and once in a while they still bring this up.

And just what is so bad about this, you might ask? The problem was that everyone loved this sweater – but me. I could never get over two things – that I had no way of knowing with which brand of wool (if any brand) the original had been knitted, and that I could not locate the identical shade of wool despite scouring the entire city of Toronto.

These two issues made it impossible for me to actually wear the sweater, as every time I’d catch a look at myself in the mirror, I’d get completely stressed out. I wore it perhaps twice more, and then gave it to my mother. And – seeing the sweater still bothers me today.

This rigidity also made it difficult to enjoy knitting. Oh, I knitted. On and off, I knitted almost incessantly. But I didn’t really like it. It certainly wasn’t relaxing in any way. What amazes me in retrospect is how productive I was in knitting despite the fact that I would sometimes rip out the same series of rows 10 times until it looked “perfect”.

Also, I found myself unable to make several patterns I really liked because the yarn called for in the pattern was not available in Canada and I would not allow myself to contemplate a substitution of any kind. If the right yarn wasn’t avaiiable to me in the exact colour specifies – no go.

I should confess that I am exaggerating here for effect. But just a little bit. This was pretty much my knitting behaviour until perhaps four years ago or so, when I did try to modify a couple of patterns for friends. They were very happy with the outcome, or so they said. I, however, was not.

After that point, I did from time to time allow a shift in colour as well – usually to a different shade of the same colour. Again, I was very unhappy with the results (for no good reason, as the resultant sweaters were objectively speaking beautiful). I only ever knitted sweaters, by the way. I wouldn’t dream of knitting anything else.

I still can’t figure out how I became so enslaved to patterns and so fearful of deviating from them. This has not, for some reason, been the case with other crafts that I “practice”. A few years ago, for example, I took up making mosaics after a friend took a course with the Board of Education and told me how to do it. I have rarely followed a pattern and have made many original (and I think, beautiful) works:

The irony (or, possibly, the explanation?) is that I only learned to knit in the first place because my father’s mother, who did beautiful lacework night after night after night and who probably was not even aware that patterns for knitting existed, refused to teach me how to do what she did.

Why? Because she was an old school Greek woman who valued education and was very proud of her smart granddaughter – what she told me was that knitting was a pastime for “ignorant, uneducated farmers like herself”, and not appropriate for someone who was going to become a professional.

As I mature, I find the fact that she devalued her own work so much increasingly sad. At the time, however, I was 12 years old and no-one was going to tell me that I “couldn’t” do anything. So – I taught myself to knit. From – you guessed it – a pattern book.

And so it went – until about a year ago when I picked up a new book of patterns – Mason-Dixon Knitting by Kay Gardiner and Ann Shayne. I was intrigued by it immediately I saw it at the local yarn shop, although it took me a full month to actually break down and buy it, mostly because it didn’t seem to contain any sweaters. Instead, it contained a lot of fun looking projects, short and less short. I started off by knitting a log cabin blanket – without doing a swatch! – and I have to confess, it was very fun.

Around the same time a friend asked me if I would knit a felted bag for her. I had never heard of felting, and so I agreed – only to panic when she gave me the pattern (which she found on the Knitty website – the French Market Bag, Summer 2002 [?]), which made it obvious that it was impossible to predict what the finished size would actually be. I then realised that my friend didn’t seem to care (after I bored her for a good fifteen minutes with my various apprehensions) – so why should I? She felted it herself as the machine in my building is front-loading. I liked the look of it and immediately found more felted patterns. I even felted them in the front loader!

Then, one fine day, I realised that I wasn’t happy with the length of one of the bags… and decided to modify the pattern to make it longer! And the earth didn’t come to an end. I realised also that I was really starting to look forward to my knitting time, rather than self-dreading it. I also found myself starting to wonder how I could broaden my knitting horizons even more…

Then one day I came across Freeform Knitting and Crochet by Jenny Dowde. A book of patterns about, essentially, how to work without a pattern – genius, I thought! How ironic – and how perfect for a recovering type-A knitting lawyer like me. I didn’t wait a month to buy it this time. And – I’m now doing freeform work without Ms Dowde’s (very wise) patterns to guide me.

At this point in time, I have never felt more contented with knitting, or more proud of my knitting work. I now believe myself to be a knitting artist, rather than someone who knits well – which feels tremendous. And funnily enough, this sense of contentment has spilled over into my personal and professional life and calmed me down from my Type A hyper highs.

Mind you, I still knit compulsively, I would say, and I still buy pattern books and make patterns – albeit using different colours and yarns than specified. But then again, Rome wasn’t built in a day – or even a year. And then again, I’m still someone who practices law to support my yarn habit…